You should also practice this clockwise via the circle of 5ths: C, G, D, A, E, B, Gb, Db, Ab, Eb, Bb, F and C. Make sure to practice this via the circle of 5ths: C, F, Bb, Eb, Ab, Db, Gb, B, E, A, D, G and C. Notice that when we move from F to G7, the bottom note moves DOWN by a half step, the middle note stays the same and the top note moves DOWN by a whole step. When we move from C to F, notice that the bottom note stays the same, the middle note moves up by a ½ step and the top note moves up by a whole step. Remember that these movements will be the same in every key! Since you are going to transpose this into all twelve keys, it is wise to think of the interval movement. In order to create smooth voice leading, we will be using C in root position, F in second inversion and the G7 will be abbreviated to only 3 notes – the root, third and seventh. Today’s chord progression combines the Plagal cadence with the Perfect cadence. A cadence in music the close of a musical phrase, where there is some kind of resolution from a moving chord to a resting chord. In this tutorial, we are going to combine what we have already learned. Check out Video #1 here, Video #2 here and Video #3 here. This is amazing ear training and a great way to build up some piano chops. Once we’ve mastered that, we’ll start to SING the bass notes (in Moveable Do Solfege, naturally). Having this note in common links the sound of the two chords.This is video #4 in my Piano Skills and Ear Training series! This week we will maneuver through the I-IV-V7-I chord progression in all 12 keys using smooth voice leading. The IV chord will be the major chord based on the fourth note (or “degree”) of the key’s scale.īecause the tonic note of the I chord is one of the notes in the IV chord, it makes it very easy to go from IV to I or I to IV seamlessly in music. The I chord is what sparks the beginning of the song and is also what the song usually comes back to at the end, in a cycle. Because the I chord matches the key, it is the most important of all the chords in that key, and the other chords used will all have a sound based on their relation to the I chord. ![]() This chord will usually let you know what key a song is written in. The I chord is also referred to as the “tonic” chord. We’ll start off with just two chords: the I and IV. If you’re getting the answers right while listening to the “Testing” tracks, it’s time to check your abilities by taking the corresponding quiz. You’ll hear the correct answer so you know if you got it right and have the chance to hear the progression again. Once you think you’re getting a sense of the chords, listen to the corresponding “Test” tracks, which include a short pause after each progression.ĭuring the pause, try to identify the chords you just heard. Use the “Training” tracks to listen carefully to examples of progressions and tune your ear in to the sound of each chord.Įach time a progression is played, it is then announced so you know which chords you’re hearing. The exercises are provided in a sequence which builds up your knowledge gradually, and uses the distinctive V7 chord as a stepping-stone to recognising the plain V chord. We recommend practising with each difficulty level in order for the exercises, building up a robust ability to recognise those progressions in varied musical use. The “hard” exercise doesn’t play a scale before the progression so you have an extra challenge!.The “medium” exercise introduces different inversions of the chords, which means the notes can change without it actually changing chord in the progression.The “easy” exercise uses just root-position triad chords, making it easy to hear the movement of the root up to the fourth, fifth, and sixth degrees of the scale.The exercises come with three difficulty levels: In each lesson you’ll find some information about the types of chord you’re learning, then some training tracks, some testing tracks, and a set of quizzes.
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